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Mar 152021
 

The Samyangs not having any image stabilisation though means that more care is needed if shooting handheld or with a shoulder rig as the image is not as smooth in comparison, especially if using anything longer than 35mm in focal length. Learn how your comment data is processed. This site uses Akismet to reduce spam. Built-in gears for follow focus use: The lenses have built-in film standard 0.8 pitch gears on both the focus and aperture rings—which should fit any follow-focus rig (that uses the same gear pitch), Available in a variety of camera mounts: These lenses are being distributed in a range of mounts including Nikon, and Canon. Accomplishing great sharpness both wide open and stopped down has allowed the Rokinon family of lenses to appeal to a wide variety of buyers, both photographers and videographers alike. And having the Samyangs as part of an arsenal of lenses has suited our filmmaking methods superbly. 1. Save my name, email, and website in this browser for the next time I comment. We’ve gone from Canon DSLRs (60D, 7D & 5D) to the Canon C100 and recently to the Canon C200. Samyang 50mm Cine Review – 50mm is the one missing focal length in the broad Samyang Cine Lens Lineup. We used a Fotga follow-focus rig and the focus action was smooth and accurate. Review Samyang Cine Arkadiusz Olech . Print Share. Introduction Samyang 50mm 1.2 XP via metabones adapter on Sony A7rII. Samyang cine lenses for video production are Manual so you can’t use the Auto Focus options on cameras. Manual focussing on was not a problem with the focus peaking feature in the Sony A7S camera we were using. However, having recently upgraded our main camera to the Canon C200 we now have a camera with fantastic autofocus abilities but a set of lenses that can’t utilise this feature…dammit! Compared to the rival brand's AF 35mm F1.8, the Samyang … The lenses felt solid and well finished. We tested a set of Sony FE mount lenses, Markings along the side of the lens barrel: Aperture markings appear along the side of the lens barrel, as it makes it easier for the focus-puller to read them. Like you guys we are considering purchasing a set of cine lens and the Samyang a serious consideration. For those on a budget… you’ll have to look pretty hard to find anything better. Depending on your style of shooting or equipment being used this may or may not be a problem. MarkGaler.com is a creative community for photographers including a blog + free Tutorials, eBooks, Photoshop Actions and Lightroom Presets. It has quick and virtually silent autofocus, good build quality and impressive all-round performance. The Samyang are a great option if you want to build a nice set of lenses for a moderately cheap price. Samyang lens shows an exceptional optical performance especially in light transmission. I have used them for a couple of years now. Samyang 12mm f/2.0 NCS CS Handling and Features The build quality of this lens is excellent. If manual focus is your preference, these lenses are great. So when editing footage and cutting between shots captured with different lenses the colours should be easier to match and give the desired look. The idea of having a full set of prime lenses which would produce in theory the same colour rendition and look across the focal length range also; we liked the of having a set of lenses that would give us a consistent and high level prime ‘look’. cost if you decide to purchase any of the lenses. usually depends on which country the lens is being sold. I’m looking at the Rokinon Cine DS lenses, since they are inherently the same company and lens, and this review has cemented by choice. I’ve been thinking about adding a new lens to the collection. And there is also the benefit that most prime lenses have wider apertures available than most zoom lenses so giving much more control over selective focusing. If, like us, sometimes you need to work fast and get a range of coverage in a short space of time or may want to use your camera’s autofocus feature, these lenses may not be for you. Reply. For the price we’ve found the lenses to be as sharp as can be expected for the this price range and wide aperture range. B&H: 14mm T3.1 VDSLRII Cine Lens for Sony Alpha Mount As the name implies, it is optimized for smooth (stepless) aperture and focus transitions which is important for movie makers (hence the "CINE"). This was something we wanted to move towards: a set of lenses aimed at videographers that allowed us to smoothly change aperture and focus on the lens itself. The focus rings rotate smoothly and accurately, with just enough resistance to make accurate focus pulling a breeze. 5 Stars (4) 4 Stars (0) 3 Stars (0) 2 Stars (0) 1 Stars (0) SKU: SYDSCMCB MFR: SYDSCMCB C. Our Price $1,919.00 $160 /mo suggested payments with 12‑month special financing. For an average price of $400 per lens the levels of sharpness are definitely on par with others in this range. Being able to smoothly alter the f-stop (or the t-stop, more accurately) without sudden jumps in light transmission can make certain footage salvageable when conditions suddenly change. Use these results to compare the Rokinon (Samyang) 50mm f/1.4 AS UMC Lens to similar gear, assisting with your decision making process. IT is worth noting that it is only with the Samyang Cine Lens for video production Version II that the aperture and focus gears are at the same height, so if  you are a follow focus user it is highly recommended to shop around for the version II. 16 June 2014. Iris-pulls are used by skilled cinematographers to maintain consistent levels in scenes where light levels might be changing quickly. Buy Samyang 14mm T3.1 Cine Lens for Canon EF-Mount featuring Ultra-Wide-Angle 14mm Lens, Standard Gearing for Focus and Iris, "De-Clicked" Aperture Ring, Compatible With Full-Frame Cameras, Compatible With APS-C Cameras, Hybrid Aspherical Lenses, Multi-Layer Coating to Reduce Flare, Manual Focus and Aperture, Built-In Petal-Type Lens Hood. You’ve encouraged me to give them a try with the C200!

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