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And yet you’d barely be scratching the surface of an environment which is much deeper than you’d expect of a Version 1 recording program.

Unison preamps load a special type of UAD-2 plug-in that both adjusts the preamp’s analogue response and applies modelling in the digital domain. LUNA features two main pages – the Timeline Display for showing Audio and MIDI files, and the Mixer view. This made dedicated DSP much more affordable and flexible, and allowed many more studios to take advantage of the benefits.Given UA’s traditional DAW agnosticism, it came as something of a surprise to learn that the company was developing a full audio-production platform of its own. These include surround mixing, video playback, and the sort of advanced MIDI editors found in DAWs like Logic Pro and Cubase.Some of these missing-in-action features may well be on Universal Audio’s long-term flight plan for Luna, but it’s difficult to know what’s coming up because some of these might not fit into the company’s vision and, in any event, the company is notoriously tight-lipped about its future developments (hence why the announcement of Luna at NAMM came as a surprise to so many). Given the analogue-modelling nature of many of these plug-ins, using these within Luna just adds to the analogue sound and feel of using this exciting new DAW, and this allows for some truly fabulous tonal flexibility. Universal Audio LUNA: Was es NICHT ist.

Right now, there’s only one option available for bus track summing, which is a model of a Neve summing mixer, which, like the tape emulators on audio tracks, can make an enormous difference to the sound being carried by a bus track, able to inject a hefty dose of analogue fizz and character into proceedings.Unlike the regular UAD-2 plug-ins on which they’re based, extensions run natively on the host computer.

There are three basic track types in LUNA; Instruments, Audio Tracks and Bus Tracks. However, install here was held up by an issue with the eLicenser software (which authorises plugins like Vienna Symphonic Library) and a fair amount of Component moving was required to isolate problem elements. UA closed its doors in 1985 when Putnam sold the business and its brands, but it rose in 1999 when his sons Bill Junior and James relaunched the company with a new focus on bringing the sound and spirit of vintage analogue technology into modern digital recording systems – and this focused approach has been a serious success.Starting with internal PCIe cards that provided DSP support to the host DAW via bespoke UAD plug-ins (first UAD-1, then UAD-2), the company has built up its offering to such a degree that its range of Apollo audio interfaces are found in semi-pro and pro studios the world over, thanks to their unrivalled blend of high-quality audio I/O and dedicated audio DSP. This technology allows you to configure Apollo-hosted, latency-free effects processing through which you can track and monitor recordings. Matt Vanacoro on Mon, June 1st 0 comments. The closeness of the integration between Luna and its requisite UA audio and DSP hardware is undeniably impressive and, for that reason alone, if you already have the hardware, there’s no excuse not to download Luna and use it to send your own projects into orbit.UA Apollo interfaces are pro pieces of kit aimed at the upper end of the market, and so the majority of owners are likely to be experienced producers and musicians who will already have a preferred DAW that they are proficient with.

Matt Vanacoro discovers whether it lives up to the hype. LUNA will allow you to work not only with UA’s plugins but with third-party AU ones too.Audio tracks do what you’d expect, though there are some really nice touches here, taking all of Console’s functionality and pushing it on considerably.

LUNA is free but the price of entry is a Thunderbolt-enabled Apollo interface. Auf der diesjährigen NAMM Show wurde die DAW, die ko There’s a downside to the bus tracks though. You will receive a verification email shortly.There was a problem. Oxide Tape is included for free but if you own (or want to buy) the Studer A800 plug-in, you can swap it in here instead. The whole processing chain takes advantage of UA’s new Accelerated Realtime Monitoring technology to deliver sub-2ms recording and monitoring latency.Luna can host plug-in instruments, and UA has created a new bespoke format so that it can package its own exclusive instruments for Luna (these rely on native processing just as AU instruments do).Luna comes with one such instrument: Shape is a rompler-style synth with four multi-timbral layers and a solid selection of patches and instruments sampled by such reputable companies as fellow high-flyers Spitfire Audio. These are versions of certain UAD-2 plug-ins that can be loaded into an audio track’s tape-emulation slot or a bus track’s input summing slot. Once you’ve created or loaded a session, you’ll find yourself in the edit view, with track list, timeline and transport controls, and all the other accoutrements that will be familiar to all DAW users. Currently users can choose between UA’s standard tape emulator, Oxide, or a more advanced model taken from a Studer A800 multitrack tape machine.Effect insert slots come after tape emulation, and can host either UAD-2 plugins, that run on the UAD DSP hardware available to the system, or AU plugins that run natively on the host computer.
We dip our toes into its latest release, a granular-synthesis instrument with minimal CPU-drain.Building on the legacy of the studio legend’s world-renowned filter innovation comes an EQ plug-in that boasts high-fidelity sound and a variety of new features.California-based Kali Audio has impacted the monitoring world in a big way since arriving on the scene in 2018.


No buffers to adjust, no one-app-to-another configuration. Luna is Mac-only at present and UA has no immediate plans to release a Windows-compatible version.Recording projects in Luna are referred to as sessions.

Universal Audio’s new Luna Recording System was the talk of the 2020 winter NAMM show.

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